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| BOARDS MAGAZINE CONTRIBUTOR GUIDELINES |
| We are always on the look out for interesting articles and contributions. If you fancy putting pen to paper, here are a few pointers and things to consider. Writing Freelance Features If you have a good idea for a feature on some other aspect of windsurfing, please check with us first that we're actually interested and someone else isn't doing it already. This is especially important with travel features, as basically it seems that just about everyone who goes on holiday anywhere in the world has the idea of recouping some of the costs by writing a feature about it. So the chances are that someone else may well already be doing that remote island paradise you thought was totally undiscovered... If your idea sounds good and no-one else is doing it, then we may well give you the go-ahead. However, please bear in mind that this is NOT a firm commission. As we have no knowledge of your journalistic abilities (which is NOT a prompt to start sending in examples - unless you've already had work on windsurfing published - in which case we probably know you anyway...) , we are certainly not going to commit to anything in advance. All we can say is that we will look carefully at your submission, and if we can use it, we probably will. Copy Deadlines Copy Format Word Counts Information To Supply Payment Submission Rights Please note that - while in some circumstances we may be prepared to publish information that has already been displayed on the Internet (be it on the World Wide Web, in forums, chat rooms, user-groups or whatever), we will not under any circumstances pay for information that is thus already in the public domain. Pictures So, unless you have any decent pictures to go with the article, you're probably wasting your time sending it in. By decent pictures we mean well focussed, clear shots. If it's for a travel feature we're looking for a good mixture of action and scenery - don't just send us a bunch of shots of someone out on the water; that gives no 'flavour' of the location at all. For features about people, make sure there are some decent close-up mugshots and on-land shots. Pictures can be submitted either as digital, transparency or print. Here are our views on each: Transparency Film Pictures: Good slide film (ideally Fuji Velvia or Provia) pictures are the best possible solution. Nearly all the best pix you see in our magazine are in fact transparencies (slides). Please supply slides mounted (slide mounts are available from any decent camera shop for around £5 for 200), and write your name and a brief caption on each mount. Ideally we would prefer the mounted slides to be submitted in a plastic display sheet (again available from any camera shop). Please do not send us duplicate transparencies - originals only please! Print film (i.e colour negative) does not reproduce particularly well in magazine format, and cannot normally be blown up bigger than their supplied size. We cannot take pictures from negatives, so please do not send us negatives or undeveloped film. Try and avoid getting sticky finger marks all over your prints! Write your name and a brief caption on the back of each print, and then either pack them back-back / front-front or put paper spacers between them, so that the ink from the captions does not transfer itself to the next print! Digital Pix. Pictures from digital cameras are unfortunately not quite the be-all-and-end-all that many believe them to be, from a magazine production point of view. Every digital picture has to be corrected to the magazine's printing colour space. Digital pictures are also not yet able to offer the same production quality as decent transparencies. However, we appreciate that a) most people now have a digital camera, and b) they are a really useful and convenient way of taking pictures! So we will accept digital pictures for features or news items. Please do not email us large amounts of digital images - burn them onto a CD and send that instead. NB: Please do NOT send pictures embedded in Word documents! Bear in mind that pictures taken from websites, which display at 72dpi, are usually far too small and low-quality for us to reproduce in the magazine, which is printed at 5 times greater resolution than your computer screen! In simplest terms - we would like digital pictures output as 300dpi cmyk jpgs with minimum compression. tiffs are theoretically better, but in practice they take so long to search through (and take up so much disc space) that they really aren't ideal, other than for small numbers of images. If you have a decent digital camera then the 'raw' format should exportable (via the software / photoshop extensions that come with the camera) to cmyk jpegs in one simple step. Colour balances etc should be undertaken at the raw stage, before translation to jpeg, and ideally you should be happy with jpeg results (in cmyk colour space!) before submitting to us. If you are not happy with them, then go back to raw images and start again - DO NOT manipulate and resave the jpegs as this inherently degrades the image. If all this sounds a bit fussy, please understand
that our receiving uncorrected digital files is akin to getting
unprocessed film from a photographer. The 'developing' stage
should really be the photographer's responsibility, as it
always used to be with film. For us to try and colour match
your digital output, without actually having anything to colour
match to, is simply impossible. (Whereas with a transparency
or print it's simple for us - or more correctly the scanner
operator who's undergone a 5 year apprenticeship(!) - to colour
match the digital output exactly to the original trannie). CDs of Pictures: If you're sending a CD of pictures PLEASE label the CD clearly with your name and the topic of the pictures, and avoid simply sending us large quantities of images with auto-applied digicam names (dsc0001.jpg, dsc0002.jpg etc). Please take the time to rename each picture so that we know what it is, without having to search through the entire CD each time we need a picture. If the pictures are large file sizes then it would be very useful if you can supply a contact sheet with thumbnails of the images as well. Home Scans: We would much rather have your original pictures to scan ourselves, rather than receive home-made scans. Again, sorting out and colour correcting your home-scanned images introduces many technical problems for us! Photo Subject Rights
Press releases re events etc Pictures are always useful too, for news events. We can't guarantee we can always use them (and there won't be any payment) but we'll certainly do our best to use them if we can. Ideally we would prefer a transparency, but a print can be used if this is all you have. The pic will of course be returned after use, but it would certainly help if the name and address of whomsoever the pic is to be returned to could be written on the transparency-mount (or on the back, if it is a print). Press releases from Sponsored Sailors This isn't to say that we don't ever run press releases from anybody. But the onus is very much on the sailor to make their press release interesting enough to run. Good competition results are the best way of getting coverage, as people can relate to that. Superb (and free!) action pix also greatly increase the chances of a press release getting published. The only other guaranteed way of getting coverage is to do something particularly different/barmy, in which case it stands up as news in its own right, and we can include a mention for the sponsors almost as an afterthought. Please understand that we're not deliberately trying to make life even more difficult for sponsored sailors (we're well aware how gnarly it can be to come up through that route - we've all done it ourselves!) - but with so many sailors possessing some degree of sponsorship, this is simply the only practical way to cope with the situation. |